The founder of a short drama production company in Hangzhou
In his opinion shooting short dramas is too tiring. Although the shooting cycle is short the shooting intensity is very high which is more tiring than shooting a large network. And it's very boring. It's just a bunch of people standing there reading lines. There is no design. The plot advancement depends entirely on the lines. There is no scheduling. The picture is ugly. I filmed this just to make money. Mini program short dramas may seem lively but they are not as profitable as imagined. The abovementioned manufacturers said that so far they have not received dividends. Even though the industry benchmark Wushuang has a recharge amount of over million the final profit is not much.The founder of Xi'an Fengxing Culture the producer of the show pu Armenia WhatsApp Number blicly stated that over million in revenue in days was not a profit. In fact the profit received was only a few million. With the heavy regulatory hammer falling the window period for making a fortune by relying on sidelines and miniprogram short dramas for fun has been completely closed. Players who are new to the Nuggets can only expect to create highquality mini program short dramas.said that content standardization is the general trend. Short dramas that are worried about being removed from the shelves.
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Have problems with their scripts and they may have been brushed aside in the early stages. Therefore they will avoid these problems that should be paid attention to in the early stage and will not shoot vulgar shots to cater to the market. Where is the way out for short plays? Under the regulatory storm layers of pressure have led to miniprogram skits. The most critical part of small program short dramas streaming has begun to be limited. The consensus in the industry is that the investment cost accounts for almostof the entire short drama and high investment means high conversion.
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